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Unit 4: Charles Lamb-Dream Children : A Reverie-A Critical Analysis

In Lamb’s writing wit, humour and fun are interwoven and it is humour which is most Notes
notable for its extreme sensitiveness to the true proportion of things. Lamb often brings out
the two sides of a fact and causes laughter at our own previous misconceptions. Therefore it
borders on the painful realization. Thus his humour is very nearly allied to pathos. They are
different facts of the same gem.
In his essay Dream Children: A Reverie Lamb talks of personal sorrows and joys. He gives
expressions to his unfulfilled longings and desires. He readily enters into the world of fantasy
and pops up stories in front of his dream children. He relates his childhood days, of Mrs.
Field, his grandmother and John Lamb, his brother. He describes how much fun he had at the
great house and orchard in Norfolk. Of his relations he gives us full and living pictures – his
brother John is James Elia of My Relations, but here is John L-, so handsome and spirited
youth, and a ‘king’. John was brave, handsome and won admiration from everybody. Charles’
grandmother Mrs. Field is the other living picture. She was a good natured and religious–
minded lady of respectable personality. Narrator’s sweet heart Alice Winterton is the other
shadowed reality. The Dream Children, Alice and John are mere bubbles of fancy. Thus Lamb’s
nostalgic memory transports us back to those good old days of great grandmother Field. But
even in those romantic nostalgia the hard realities of life does not miss our eyes. Death,
separation and suffering inject us deep-rooted pathos in our heart. Whereas Mrs. Field died
of cancer, John Lamb died in early age. Ann Simmons has been a tale of unrequited love story
of Charles Lamb. Notably the children are millions of ages distant of oblivion and Charles is
not a married man but a bachelor having a reverie.
In his actual life Lamb courted Ann Simmons but could not marry her, he wanted to have
children but could not have any. Thus he strikes a very pathetic note towards the end of his
essay when he puts the following word into the months of his imaginary children, “we are not
of Alice, nor of thee, nor are we children at all … We are nothing, less than nothing, dreams.
We are only what might have been”. Alice is here no other girl but Ann Simmons, the girl
Lamb wanted to marry, but failed to marry her. In fact, the subtitle of the essay – ‘A Reverie’
which literally means a daydream or a fantasy – prepares us for the pathos of the return to
reality although the essay begins on a deceptively realistic note.
Although Dream Children begins on a merry note, the dark side of life soon forces itself upon
Lamb’s attention and the comic attitude gives way to melancholy at the end of the essay.
Throughout the essay Lamb presents his children in such a way that we never guess that they
are merely figments of his imagination – their movements, their reactions, their expressions
are all realistic. It is only at the end of the essay that we realize that the entire episode with
his children is a daydream. We are awakening by a painful realization of the facts.
Lamb’s humour was no surface play, but the flower plucked from the nettle of peril and awe.
In fact, Lamb’s humour and pathos take different shapes in different essays. Sometimes it is
due to his own unfulfilled desires, sometimes it is due to the ill-fortunes of his relatives and
friends and on some other occasions it is due to his frustration in love etc. If his Poor Relations
begin humorously of a male and female poor relation, he later gives us a few pathetic examples
of poor relations that had to suffer on account of poverty. Again in his The Praise of Chimney
Sweepers Lamb sways between humour and pathos while describing the chimney sweepers.
Similarly the essay Dream Children is a beautiful projection of Lamb’s feelings and desire to
have a wife and children of his own. It is humorous that in his dream he is married and has
two children of his own while he had a disheartening frustration in love. Thus Lamb has
painted both the lights and shades of life in full circle. His is the criticism of life in pathos and
humours.

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