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Elective English–II
Notes “Well, it is the weakness, then,” said the doctor. “I will do all that science, so far as it may
filter through my efforts, can accomplish. But whenever my patient begins to count the carriages
in her funeral procession I subtract 50 per cent from the curative power of medicines. If you
will get her to ask one question about the new winter styles in cloak sleeves I will promise
you a one-in-five chance for her, instead of one in ten.”
After the doctor had gone Sue went into the workroom and cried a Japanese napkin to a pulp.
Then she swaggered into Johnsy’s room with her drawing board, whistling ragtime.
Johnsy lay, scarcely making a ripple under the bedclothes, with her face toward the window.
Sue stopped whistling, thinking she was asleep.
She arranged her board and began a pen-and-ink drawing to illustrate a magazine story.
Young artists must pave their way to Art by drawing pictures for magazine stories that young
authors write to pave their way to Literature.
As Sue was sketching a pair of elegant horseshow riding trousers and a monocle of the figure
of the hero, an Idaho cowboy, she heard a low sound, several times repeated. She went
quickly to the bedside.
Johnsy’s eyes were open wide. She was looking out the window and counting — counting
backward.
”Twelve,” she said, and little later “eleven”; and then “ten,” and “nine”; and then “eight” and
“seven”, almost together.
Sue looked solicitously out of the window. What was there to count? There was only a bare,
dreary yard to be seen, and the blank side of the brick house twenty feet away. An old, old
ivy vine, gnarled and decayed at the roots, climbed half way up the brick wall. The cold
breath of autumn had stricken its leaves from the vine until its skeleton branches clung,
almost bare, to the crumbling bricks.
”What is it, dear?” asked Sue.
”Six,” said Johnsy, in almost a whisper. “They’re falling faster now. Three days ago there were
almost a hundred. It made my head ache to count them. But now it’s easy. There goes another
one. There are only five left now.”
”Five what, dear? Tell your Sudie.”
”Leaves. On the ivy vine. When the last one falls I must go, too. I’ve known that for three
days. Didn’t the doctor tell you?”
“Oh, I never heard of such nonsense,” complained Sue, with magnificent scorn. “What have
old ivy leaves to do with your getting well? And you used to love that vine so, you naughty
girl. Don’t be a goosey. Why, the doctor told me this morning that your chances for getting
well real soon were—let’s see exactly what he said—he said the chances were ten to one! Why,
that’s almost as good a chance as we have in New York when we ride on the street cars or
walk past a new building. Try to take some broth now, and let Sudie go back to her drawing,
so she can sell the editor man with it, and buy port wine for her sick child, and pork chops
for her greedy self.”
”You needn’t get any more wine,” said Johnsy, keeping her eyes fixed out the window. “There
goes another. No, I don’t want any broth. That leaves just four. I want to see the last one fall
before it gets dark. Then I’ll go, too.”
”Johnsy, dear,” said Sue, bending over her, “will you promise me to keep your eyes closed,
and not look out the window until I am done working? I must hand those drawings in by to-
morrow. I need the light, or I would draw the shade down.”
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