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English - II                                                 Digvijay Pandya, Lovely Professional University



                  Notes                        Unit 21: ‘Chitra’ by Rabindranath Tagore:
                                                      Theme and Plot Construction




                                   CONTENTS
                                   Objectives
                                   Introduction
                                      21.1 Chitra as a Play
                                      21.2 Plot Construction
                                      21.3 Dialogue
                                      21.4 Conflict
                                      21.5 Theme
                                      21.6 Supernatural Devices
                                      21.7 Soliloquy
                                      21.8 Summary
                                      21.9 Key-Words
                                     21.10 Review Questions
                                     21.11 Further Readings

                                 Objectives

                                 After reading this unit students will be able to:
                                 •    Understand Chitra’s theme.
                                 •    Discuss Plot Construction of ‘Chitra’

                                 Introduction

                                 Tagore was seized by the idea of presenting the evolution of human love from the physical to the
                                 spiritual. He also found an appropriate story. In the Mahabharata, Arjuna during his travels weds
                                 Princess Chitrangada of Manipur, and their son becomes the longed-for male heir of the King. When
                                 Tagore fused the soul of the idea with the body of the story, it became the play Chitrangada and in the
                                 English form it is a somewhat shortened dramatic sequence in nine scenes.
                                 Chitra, the princess of Manipura. brought up as a warrior, for the first time feels that she is a woman
                                 when Arjuna in his ascetic robes glances at her. She becomes conscious of the fact that she was not
                                 beautiful enough to win the heart of Arjuna. She vainly woos Arjuna but is rejected by him on grounds
                                 of his vow of celibacy. She does not give up her love. She is not the kind of woman who nourishes her
                                 despair in lonely silence.
                                 Tagore in an aptly symbolic way shows how the flower of her desire refuses to drop before it has
                                 ripened into a fruit. Chitra finds that it is the labour of a life time to make one’s true self fully known
                                 and honoured. Therefore she chooses the easy path of illusion which is the first step to reality that is
                                 the acquired splendour of beauty, bestowed upon her by the gods Madana and Vasanta. This is the
                                 phase where Chitra fascinates and wins the heart of Arjuna.
                                 As has been aptly pointed out by a critic, “Chitra is a play built on many levels. It is a drama of youth; it is
                                 a drama of growth. One can actually hear the sure but silent flowering of the Dryad girl and her fruition into a
                                 sublime order of self-consciousness adjusting itself to the ambivalence of illusion and reality.”
                                 We have in Chitra a realisation of the diviner element of life and soul, a heaven-sent message to the
                                 human soul as to what is the meaning of love in the true sense of the term.



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