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Unit 9: The Traveller's Story of a Terribly Strange Bed by Wilkie Collins




          night. Just as Mr. Faulkner pronounced these words, he started in his chair, and resumed his stiff,  Notes
          dignified position in a great hurry. “Bless my soul!” cried he, with a comic look of astonishment
          and vexation, “while I have been telling you what is the real secret of my interest in the sketch
          you have so kindly given to me, I have altogether forgotten that I came here to sit for my
          portrait. For the last hour or more I must have been the worst model you ever had to draw
          from!” “On the contrary, you have been the best,” said I. “I have been trying to catch your
          likeness; and, while telling your story, you have unconsciously shown me the natural expression
          I wanted  to insure my success.”
          Note by Mrs. Kerby.
          I cannot let this story end without mentioning what the chance saying was, which caused it to be told at the
          farmhouse the other night. Our friend the young sailor, among his other quaint objections to sleeping on
          shore, declared that he particularly hated four-post beds, because he never slept in one without doubting
          whether the top might not come down in the night and suffocates him. I thought this chance reference to the
          distinguishing feature of William’s narrative curious enough, and my husband agreed with me. However,
          he says it is scarcely worthwhile to mention such a trifle in anything as important as a book. I cannot
          venture, after this, to do more than slip these lines in modestly at the end of the story. If the printer should
          notice my few last words, perhaps he may not mind the trouble of putting them into some out-of-the-way
          corner. L. K.


          Self Assessment

          Fill in the blanks:
          1.   …………………… is Wilkie Collins’s first collection of six short stories, published in 1856.
          2.   …………………… introduced Collins’s to Charles Dickens in an instrumental event in
               March 1851.

          3.   His novel Armadale was published serially in …………………… from 1864 to 1866.
          4.   Collins last novel Blind Love was finished posthumously by …………………….
          5.   Walter Hartright is a character from the novel …………………….

          9.9 Summary


               William Wilkie Collins (8 January 1824–23 September 1889) was an English novelist,
               playwright, and author of short stories. His best-known works are The Woman in White,
               The Moonstone, Armadale, and No Name.

               After Dark is Wilkie Collins’s first collection of six short stories, published in 1856. Collins
               provides a narrative framework, ‘Leaves from Leah’s Diary’, set in 1827.
               Collins’s story A Terribly Strange Bed, his first contribution to Household Words, appeared
               in April, 1852.
               Collins and Charles Dickens became lifelong friends and collaborators.
               In A Terribly Strange Bed, an artist, who remains unnamed, has been hired to paint the
               portrait of a wealthy man named Faulkner.
               Collins has been called “the father of the English detective novel” and many critics have
               observed that his principal strength lies in his expert manoeuvring of characters through
               complex plots.
               Collins’s works were classified at the time as “sensation novels,” a genre seen nowadays
               as the precursor to detective and suspense fiction.




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