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Unit 10: Once There was a King by Rabindranath Tagore




          (1890), among his best-known work. As Zamindar Babu, Tagore criss-crossed the riverine holdings  Notes
          in command of the Padma, the luxurious family barge. He collected mostly token rents and
          blessed villagers who in turn honoured him with banquets—occasionally of dried rice and sour
          milk. He met Gagan Harkara, through whom he became familiar with Baul Lalon Shah, whose
          folk songs greatly influenced Tagore. Tagore worked to popularise Lalon’s songs. The period
          1891–1895, Tagore’s Sadhana period, named after one of Tagore’s magazines, was his most
          productive; in these years he wrote more than half the stories of the three-volume, 84-story
          Galpaguchchha. It’s ironic and grave tales examined the voluptuous poverty of an idealised
          rural Bengal.



             Did u know? because of his profoundly sensitive, fresh and beautiful verse, by which, with
             consummate skill, he has made his poetic thought, expressed in his own English words, a
             part of the literature of the Wes.
          10.1.3 Middle Years of Rabindranath Tagore: 1901–1932


          In 1901 Tagore moved to Santiniketan to find an ashram with a marble-floored prayer hall—The
          Mandir—an experimental school, groves of trees, gardens, a library. There his wife and two of
          his children died. His father died in 1905. He received monthly payments as part of his inheritance
          and income from the Maharaja of Tripura, sales of his family’s jewellery, his seaside bungalow
          in Puri, and a derisory 2,000 rupees in book royalties. He gained Bengali and foreign readers
          alike; he published Naivedya (1901) and Kheya (1906) and translated poems into free verse.

          In November 1913, Tagore learned he had won that year’s Nobel Prize in Literature: the Swedish
          Academy appreciated the idealistic—and for Westerners—accessible nature of a small body of
          his translated material focussed on the 1912 Gitanjali: Song Offerings. In 1915, the British Crown
          granted Tagore a knighthood. He renounced it after the 1919 Jallianwala Bagh massacre.
          In 1921, Tagore and agricultural economist Leonard Elmhirst set up the “Institute for Rural
          Reconstruction”, later renamed Shriniketan or “Abode of Welfare”, in Surul, a village near the
          ashram. With it, Tagore sought to moderate Gandhi’s Swaraj protests, which he occasionally
          blamed for British India’s perceived mental—and thus ultimately colonial—decline. He sought
          aid from donors, officials, and scholars worldwide to “free village from the shackles of
          helplessness and ignorance” by “vitalis[ing] knowledge”. In the early 1930s he targeted ambient
          “abnormal caste consciousness” and untouchability. He lectured against these, he penned Dalit
          heroes for his poems and his dramas, and he campaigned—successfully—to open Guruvayoor
          Temple to Dalits.




             Notes  Tagore was a practitioner of psychological and social realism. His stories depict
             poignant human relationships within a simple, relatively uneventful plots. In “Postmaster,”
             a young orphaned girl employed by the postmaster in a remote village regards him as a
             surrogate father; when he returns to his home and family in Calcutta she is devastated at
             being left behind. Failing to appreciate the depth of her longing for family, the postmaster
             laughs at her request to be taken home with him. The story “Kabuliwalla” concerns a man
             who appears brusque, crude, and violent—to the extent that he is in prison—but is so
             sentimental about his faraway daughter that he cherishes a crumpled piece of paper because
             it is smudged with her fingerprints. “The Return of Khokababu” is about a servant who
             while caring for the infant of a wealthy couple briefly looks away from the child during
             which time it drowns and is never found. The servant moves away, marries, and has a son
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