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Unit 2: Literary Terms: Problem Play, Kitchen Sink Drama, and Angry Young Man




            17.   The Kitchen Sink Drama were significant for the way they depicted the most intimate  Notes
                  aspects of ...........

            State whether the following statements are true or false:
            18.   Whether social or domestic, the Kitchen Sink drama changed the trajectory of British
                  theater.
            19.   The chief characteristic of the Kitchen Sink drama was the way in which its
                  characters expressed their unvarnished emotion and dissatisfaction with the working
                  class.
            20.   The kitchen-sink drama is placed in an ordinary domestic setting and typically
                  tells a relatively mundane family story.

            2.3  Angry Young Men

            2.3.1 Meaning

            The term Angry Young Man often applied to the British ‘kitchen sink’ playwrights of the 1950s and
            also anyone, particularly young men obviously, who rails against the establishment.
            Angry Young Men were various British novelists and playwrights who emerged in the 1950s and
            expressed scorn and disaffection with the established sociopolitical order of their country. Their
            impatience and resentment were especially aroused by what they perceived as the hypocrisy and
            mediocrity of the upper and middle classes.
            The Angry Young Men were a new breed of intellectuals who were mostly of working class or of
            lower middle-class origin. Some had been educated at the postwar red-brick universities at the
            state’s expense, though a few were from Oxford. They shared an outspoken irreverence for the
            British class system, its traditional network of pedigreed families, and the elitist Oxford and
            Cambridge universities. They showed an equally uninhibited disdain for the drabness of the postwar
            welfare state, and their writings frequently expressed raw anger and frustration as the postwar
            reforms failed to meet exalted aspirations for genuine change.

            2.3.1 Origin

            The term was applied most notably to John Osbourne and it was from comments about his Look
            Back in Anger, first performed in 1956, that the phrase became known. That wasn’t its first use
            though. In 1941, the writer Rebecca West used it in her Black Lamb and Grey Falcon: the Record of a
            Journey through Yugoslavia in 1937.


                 Example: Their instinct is to brace themselves against any central authority as if it were their
            enemy. The angry young men run about shouting.
            West wasn’t using the phrase in the quite specific way it became used in the 1950s. She was just
            referring to young men who were angry.
            John Osborne’s play Look Back in Anger was first performed in 1956. The term doesn’t appear in the
            play but it was in the reporting of it later that it became known. In October 1957 George Fearon,
            Press Officer for the Royal Court Theatre, wrote this piece for the Daily Telegraph: “I had read John
            Osborne’s play. When I met the author I ventured to prophesy that his generation would praise his
            play while mine would, in general, dislike it... ‘If this happens,’ I told him, ‘you would become
            known as the Angry Young Man.’ In fact, we decided then and there that henceforth he was to be
            known as that.”




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