Page 66 - DENG403_BRITISH_DRAMA
P. 66

British Drama



                 Notes          quite short, perhaps because Shakespeare knew that James preferred short plays. And the play
                                contains many supernatural elements that James, who himself published a book on the detection
                                and practices of witchcraft, would have appreciated. Even something as minor as the Scottish defeat
                                of the Danes may have been omitted to avoid offending King Christian.

                                4.2.2  Sources of the Text

                                The material for Macbeth was drawn from Raphael Holinshed’s Chronicles of England, Scotland,
                                and Ireland (1587). Despite the play’s historical source, however, the play is generally classified as
                                tragedy rather than a history. This derives perhaps from the fact that the story contains many
                                historical fabrications—including the entire character of Banquo, who was invented by a 16th-century
                                Scottish historian in order to validate the Stuart family line. 0In addition to such fictionalization,
                                Shakespeare took many liberties with the original story, manipulating the characters of Macbeth
                                and Duncan to suit his purposes. In Holinshed’s account, Macbeth is a ruthless and valiant leader
                                who rules competently after killing Duncan, whereas Duncan is portrayed as a young and soft-
                                willed man. Shakespeare draws out certain aspects of the two characters in order to create a stronger
                                sense of polarity. Whereas Duncan is made out to be a venerable and kindly older king, Macbeth is
                                transformed into an indecisive and troubled young man who cannot possibly rule well.
                                Macbeth is certainly not the only play with historical themes that is full of fabrications. Indeed,
                                there are other reasons why the play is considered a tragedy rather than a history. One reason lies in
                                the play’s universality. Like Hamlet, Macbeth speaks soliloquies that articulate the emotional and
                                intellectual anxieties with which many audiences identify easily. For all his lack of values and
                                “vaulting ambition,” Macbeth is a character who often seems infinitely real to audiences. This
                                powerful grip on the audience is perhaps what has made Macbeth such a popular play for centuries
                                of viewers.




                                         Macbeth is a play with historical themes but rather than illustrating a specific historical
                                  moment, it presents a human drama of ambition, desire, and guilt.
                                Given that Macbeth is one of Shakespeare’s shortest plays, some scholars have suggested that scenes
                                were excised from the Folio version and subsequently lost. There are some loose ends and non-
                                sequiturs in the text of the play that would seem to support such a claim. If scenes were indeed cut
                                out, however, these cuts were most masterfully done. After all, none of the story line is lost and the
                                play remains incredibly powerful without them. In fact, the play’s length gives it a compelling,
                                almost brutal, force. The action flows from scene to scene, speech to speech, with a swiftness that
                                draws the viewer into Macbeth’s struggles. As Macbeth’s world spins out of control, the play itself
                                also begins to spiral towards to its violent end.
                                Macbeth is a tragedy by William Shakespeare written around 1606. The only Shakespearean drama
                                set in Scotland, Macbeth follows the story of a Scottish nobleman (Macbeth) who hears a prophecy
                                that he will become king and is tempted to evil by the promise of power. Macbeth deals with the
                                themes of evil in the individual and in the world more closely than any of Shakespeare's other
                                works. Shakespeare draws on Holinshed's Chronicles as Macbeth's historical source, but he makes
                                some adjustments to Holinshed's depiction of the real-life Macbeth. Holinshed's Macbeth was a
                                soldier, and not much more; he was capable, and not too thoughtful or self-doubting. In Shakespeare's
                                Macbeth, it is the internal tension and crumbling of Macbeth, entirely Shakespeare's inventions,
                                that give the play such literary traction.
                                Macbeth is also unique among Shakespeare's plays for dealing so explicitly with material that was
                                relevant to England's contemporary political situation. The play is thought to have been written in
                                the later part of 1606, three years after James I, the first Stuart king, took up the crown of England.




          60                                LOVELY PROFESSIONAL UNIVERSITY
   61   62   63   64   65   66   67   68   69   70   71