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Fiction



                 Notes          The concerns of Ralph and Jack were established in previous chapters: the former focuses on
                                survival and escape while the latter focuses on hunting and self-gratification. In this chapter
                                Golding examines the tactics that each uses to assert his authority. Jack uses his bravado to
                                signify his strength and dominance, and he attempts to diminish Ralph in the eyes of the other
                                boys by ridiculing him for his supposed cowardice. Ralph, on the other hand, is straightforward
                                and direct. He challenges Jack’s overblown self-confidence by honestly noting that Jack is
                                wrongly motivated by hatred.
                                Golding continues to use imagery and symbolism to trace the boys’ descent into disorder,
                                violence, and amorality. In particular, Golding suggests in this chapter that the line between
                                the boys and animals is becoming increasingly blurred. The hunters chant and dance, and one
                                of the boys again pretend to be a pig while the other boys pretend to kill him. The parallel
                                between boy and pig in the ritual is a powerful dramatization of the implications of the boys’
                                giving in to their violent impulses, indicating that the children are no better than animals and
                                that, like the pig, they too will be sacrificed to fulfill the brutal desires of Jack and his hunters.
                                Characterization in Chapter Seven also foreshadows the tragic events to come. In particular,
                                Jack, who is increasingly confident as a hunter and leader, suggests that his violent impulses
                                are now directed at the other children as well as at the pigs on the island. Jack’s joke that the
                                group should kill a littluns in place of a pig demonstrates a blatant disregard for human life
                                and explicitly acknowledges that he appreciates violence for its own sake. His joke also signals
                                the waning of his conscience as the boys continue to exist in the absence of adult society and
                                its rules. Jack, who previously needed to prepare himself to kill a pig, indicates that he is now
                                probably capable of killing people without remorse.
                                As Ralph faces the challenge of tracking and hunting the beast, physical tasks that are unfamiliar
                                to him as the political leader of the boys, he demonstrates the dangerous appeal of aggressive
                                and impulsive behavior such as Jack’s. Golding tracks Ralph’s brief sympathy with Jack’s
                                mindset to suggest that even the most civilized humans are susceptible to groupthink and the
                                pressures of the Id, which is inclined towards destruction and self-gratification. The chapter
                                begins with Ralph expressing disgust over his appearance, which again indicates his natural
                                disinclination towards savagery. Yet, like Jack, Ralph feels exhilarated during the hunt and
                                begins to understand the primal appeal of killing pigs. It is Jack’s decision to continue the
                                hunt in darkness, which Ralph rightly recognizes as ill-informed, that finally reminds Ralph
                                of the essential foolishness of Jack’s mindset. By showing Ralph’s character as threatened but
                                not subsumed by Jack’s will, Golding suggests that the human impulse towards savagery,
                                which is both strong and natural, can nevertheless be overcome by reason and intelligence.
                                While Golding’s characterization of Jack and his hunters intends to caution the reader about
                                the destructive impulses that reside inside all humans, it is important to note the historical
                                biases at work in this depiction of the boys’ hunting rituals. The boys chant and dance around
                                in circles, whipping themselves up into a “frenzy” that pushes them to the brink of actual
                                murder. They represent or are becoming “savages,” which in Golding’s time reminded readers
                                of the native peoples of the Americas and Africa. This stereotype tended to associate these
                                peoples with a very limited and barbaric culture, failing to appreciate the complex culture that
                                events such as ritual dances expressed. A more charitable view of Jack’s new warrior culture,
                                say from an anthropologist’s perspective, would not stress the dehumanization of the war-
                                dance so much as their natural human reaction to the difficult conditions on the island, a
                                reaction that after all can produce the meat that the children need.

                                Nature is also of crucial significance in this chapter. As the boys move farther from the camp
                                into the unexplored recesses of the forest and mountain areas, they contend with the powerful
                                forces of the natural world, which is untamed and indifferent to the boys’ concerns. The
                                emphasis on the indifference of nature in this chapter is significant in several ways. First, it


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