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Literary Criticism and Theories



                  Notes               which Lacan formed the same year when he broke with the International Psycho-Analytical
                                      Association (IPA). His break with the IPA was based on major disagreements Lacan had
                                      with the ego psychology of the group, which placed the ego at the origin of psychic stability.
                                 •    From 1953-63 Lacan concentrated on structural linguistics and the role of the symbolic in the
                                      work of Freud. He felt that Freud had understood that human psychology is linguistically
                                      based, but would have needed Saussure's vocabulary and structuralist concept of language
                                      as a system of differences to articulate the relationship. In Les Psychoses: Seminar III, Lacan
                                      claims that the unconscious is "structured like a language," and governed by the order of the
                                      signifier.
                                 •    Lacan translated Martin Heidegger's work into French and the evidence of Heidegger's
                                      influence can be read in Lacan's essay The Function and Field of Speech in Psychoanalysis,
                                      in which he concentrates on the idea that subjectivity is symbolically constituted. Lacan was
                                      also influenced by Hegel's work, and by his discussions with both Sartre and Merleau-Ponty.
                                      He was the first to introduce structural linguistics to psychoanalytical theory, and because of
                                      this he attracted attention both nationally and, later in the 1970s, internationally.

                                 13.8 Key-Words

                                 1. Jouissance  : (Fr. ‘bliss’, ‘pleasure’, including sexual bliss or orgasm) a term introduced into
                                                psychoanalytic theory by Jacques Lacan, to refer to extreme pleasure, but also
                                                to that excess whereby pleasure slides into its opposite. Roland Bathes uses the
                                                term to suggest an experience of reading as textual bliss. Similarly, Jacques
                                                Derrida suggests that the effect of deconstruction is to liberate forbidden
                                                jouissance.

                                 13.9 Review Questions

                                 1. Discuss the biography of Lacan.
                                 2. Write a short note on the life and works of Lacan.
                                 3. What are the three orders of Lacan.
                                 4. Explain Lacan’s criticisms.
                                 Answers: Self-Assessment
                                 1.  (i)(a)         (ii)(c)        (iii)(c)       (iv)(b)

                                 13.10 Further Readings




                                              1.  Hutcheon, Linda A poetics of postmodernism, London: Routledge, 1988.
                                              2.  Kennedy, X.J., Dana Gioia, Mark Bauerlein, Handbook of Literary Terms:
                                                  Literature, Language, Theory, 1st edition, New Delhi: Pearson, 2007.
                                              3.  Lodge, David (ed.) Twentieth Century Literary Criticism, London: Longman,
                                                  1972.
                                              4.  Rice, Philip and Patricia Waugh (eds.) A Modern Literary Theory: A Reader, 3rd
                                                  edition, London: Arnold, 1999.
                                              5.  Sethuraman, V.S. and Ramaswamy (eds.) The English Critical Tradition, Volume
                                                  II, New Delhi, Macmillan, 1977.
                                              6.  Seturaman, V.S. (ed.) Contemporary Criticism: An Anthology, New Delhi:
                                                  Macmillan, 2008.





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