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Literary Criticism and Theories



                  Notes               Significance in the History of Realism (Toward a Historic  Typology of the Novel)' (henceforth
                                      referred to as  BSHR) constitute the basis for the  theoretical framework that is developed in
                                      my dissertation on 19th century Belgian historical  novels. One of the case-studies from this
                                      dissertation is presented here, albeit in a  considerably abridged form.
                                 •    Bakhtin begins by briefly charting the course of the attempt to analysis and define the novel,
                                      and the resulting failure, because of the failure to explore the "stylistic specificum, of the
                                      novel as a genre." Bakhtin then provides a few examples of the use of imagery and metaphor
                                      within a novel, and how these elements different from their use in poetics. Bakhtin points
                                      out a distinctive characteristic of the novel "the image of the another's language and outlook
                                      on the world…, simultaneously represented and representing, is extremely typical of the
                                      novel."
                                 •    "From the Prehistory of Novelistic Discourse" is a less traditional essay in which Bakhtin
                                      reveals how various different texts from the past have ultimately come together to form the
                                      modern novel.

                                 18.6 Key-Words
                                 1. Polyglossia     : Basically polyglossia situations involve two contrasting varieties (high
                                                      and low) but in general it refers to communities that regularly use more
                                                      than two languages.
                                 2. Lexical borrowing : It results from the lack of vocabulary and it involves borrowing single
                                                      words - mainly nouns. When speaking a second language, people will
                                                      often use a term from their first language because they don't know the
                                                      appropriate word in their second language. They also my borrow words
                                                      from another language to express a concept or describe an object for
                                                      which there is no obvious word available in the language they are using.

                                 18.7 Review Questions

                                 1. What is the Concept of Chronotopes? Discuss.
                                 2. Discuss the Concept of Polyphony.
                                 3. Examine Bakhtin’s, “from the prehistory of Novelistic Discourse”.
                                 Answers: Self-Assessment
                                 1.  (i)(a)         (ii)(c)        (iii)(c)       (iv)(a)

                                 18.8 Further Readings




                                              1.  Hutcheon, Linda A poetics of postmodernism, London: Routledge, 1988.
                                              2.  Kennedy, X.J., Dana Gioia, Mark Bauerlein, Handbook of Literary Terms:
                                                  Literature, Language, Theory, 1st edition, New Delhi: Pearson, 2007.
                                              3.  Lodge, David (ed.) Twentieth Century Literary Criticism, London: Longman,
                                                  1972.
                                              4.  Rice, Philip and Patricia Waugh (eds.) A Modern Literary Theory: A Reader, 3rd
                                                  edition, London: Arnold, 1999.
                                              5.  Sethuraman, V.S. and Ramaswamy (eds.) The English Critical Tradition, Volume
                                                  II, New Delhi, Macmillan, 1977.
                                              6.  Seturaman, V.S. (ed.) Contemporary Criticism: An Anthology, New Delhi:
                                                  Macmillan, 2008.



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