Page 6 - DENG501_LITERARY_CRITICISM_AND_THEORIES

Unit 17: Mikhail Bakhtin and his “From the Prehistory of Novelistic Discourse”—Dialogics in Novels:
Detailed Study 185

Gowher Ahmad Naik, Lovely Professional University

Unit 18: Mikhail Bakhtin and his ‘From the Prehistory of Novelistic Discourse
(Textual Analysis with Chronotopes and Perennial Narativity) 198

Digvijay Pandya, Lovely Professional University

Unit 19: Two Types of Orientalism—Orientalism as a Literary Theory 209

Digvijay Pandya, Lovely Professional University
Unit 20: Edward Said's Crisis [In Orientalism]: Textual Analysis 225

Gowher Ahmad Naik, Lovely Professional University
Unit 21: Edward Said's Crisis [In Orientalism]: Detailed Study 240
Digvijay Pandya, Lovely Professional University
Unit 22: Edward Said's Crisis [In Orientalism]: Inter-Textual Analysis (Alluding Fanon, Foucaut and Bhabha) 250
Digvijay Pandya, Lovely Professional University

Unit 23: Gynocriticism and Feminist Criticism: An Introduction 259
Gowher Ahmad Naik, Lovely Professional University
Unit 24: Features of Feminist Criticism 269

Gowher Ahmad Naik, Lovely Professional University

Unit 25: Gynocriticism and Feminist Criticism: Analysis 276

Gowher Ahmad Naik, Lovely Professional University
Unit 26: Elaine Showalter: Four Models of Feminism in 'Ferminist Criticism in the Wilderness' 282

Digvijay Pandya, Lovely Professional University
Unit 27: Elaine Showalter: Four Models of Feminism in “Feminist Criticism in Wilderness”
—Biological and Linguistic Difference 288

Digvijay Pandya, Lovely Professional University
Unit 28: Elaine Showalter: Four Models of Feminism in “Feminist Criticism in Wilderness”
—Psychological and Cultural Difference 305

Gowher Ahmad Naik, Lovely Professional University
Unit 29: Umberto Eco’s ‘Casablanca: Cult Movies and Intertextual Collage’ (History and War-Background) 316

Gowher Ahmad Naik, Lovely Professional University
Unit 30: Umberto Eco's 'Casablanca: Cult Movies and Intertextual Collage’ (Textual Analysis) 327

Gowher Ahmad Naik, Lovely Professional University
Unit 31: Umberto Eco’s ‘Casablanca: Cult Movies and Intertextual Collage’
(Deconstructing and Disciplinarising Hollywood) 336
Digvijay Pandya, Lovely Professional University

Unit 32: Umberto Eco’s ‘Casablanca: Cult Movies and Intertextual Collage’ (Intertextual Analysis) 346

Gowher Ahmad Naik, Lovely Professional University