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Literary Criticism and Theories


                    Notes          some higher reality, it is rather a construction, or edifice that has been erected by consensus. This
                                   holds true for the interpretive strategies a culture or an institution employs as well as their notions
                                   of right and wrong. A culture's morality is no more founded in any external reality than its
                                   language. Nor is it possible to specify how language correlates with the external world. Language
                                   and its usage are arbitrary decisions made by convention as is the fact that we call north "North"
                                   instead of something else.
                                   In response to a criticism launched by M. H. Abrams, Fish explains some of his understanding of
                                   the conventional nature of language. If what follows is communication or understanding, it will
                                   not be because he and I share a language, in the sense of knowing the meanings of individual
                                   words and the rules for combining them, but because a way of thinking, a form of life, shares us,
                                   and implicates us in a world of already-in-place objects, purposes, goals, procedures, values, and
                                   so on; and it is to the features of that world that any words we utter will be heard as necessarily
                                   referring.
                                   Similarly, what we call literature is not such because of some abiding principle of truth or art that
                                   exists in an atemporal state, but it is such because the culture values it for interests of its own, that
                                   is because it reflects the culture's values and beliefs in some way.
                                   Thus the act of recognizing literature is not constrained by something in the text, nor does it issue
                                   from an independent and arbitrary will; rather, it proceeds from a collective decision as to what
                                   will count as literature, a decision that will be in force only so long as a community of readers or
                                   believers continues to abide by it.
                                   In this view literature is simply the expression of an ideology. Because of his views on literature,
                                   literature tends to lose its "special status" as literature and becomes simply a reflection of communal
                                   values which is as subject to change as are cultures. That is not to say that the individual or culture
                                   consciously chooses its values, which would imply some form of objectivity or the ability to stand
                                   apart from one's values. To Fish it is not possible to abstract one's self from one's values. Fish is
                                   simply a product of his environment without the ability to choose his beliefs and values. They are
                                   instead informed or determined by the culture which is historically conditioned and no more able
                                   to choose objectively than the individual.
                                   Using Fish as an example of post-structuralist critical theory, I will in the remaining chapters
                                   analyze his thought as it relates to post-modernism. What follows is an examination of post-
                                   modernism from the perspective of the discipline of philosophy, or an history of ideas approach.
                                   It is not intended to be a comprehensive history of Western philosophy but a brief examination of
                                   some of the salient features which I believe have contributed to the rise of what is now being
                                   called post-modernism. I will end the chapter with an emphasis on the "linguistic turn", as Rorty
                                   has called it, in philosophy of the twentieth century by examining some of the philosophy of
                                   Ludwig Wittgenstein as his thinking bears some similarities to that of Stanley Fish and lays some
                                   of the groundwork for the current state of things. Wittgenstein is important as his thinking is often
                                   characterized as thoroughly conventionalist and misappropriated as such.
                                   In this Unit would also like to take a critical look at some of Fish's theory and examine some of the
                                   consequences of his thinking. Fish claims that because his thinking is theoretical it is without
                                   consequences (he consistently tells his critics "not to worry"). He is at least disingenuous if not
                                   patently dishonest in this assertion as his theories have grave consequence especially for those
                                   who would appeal to some transcendent standard.
                                   In taking a critical stance toward Fish's literary theory I am well aware of Fish's response to those
                                   who disagree with his theories or, as he puts it, "feel threatened" by his ideas. Those who hold to
                                   the idea of essences, or to the reality and accessibility of transcendent truths, he labels as
                                   foundationalists, members of the "intellectual right. And he further accuses them of holding to a
                                   naive epistemology which views the mind as merely reflecting the world as it really is. Moreover



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