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Indian Writings in Literature                                    Digvijay Pandya, Lovely Professional University


                    Notes                 Unit 22: Premchand: Godan—Plot Construction and
                                                                Characterisation




                                     CONTENTS
                                     Objectives
                                     Introduction
                                     22.1 Plot Construction of Godan
                                     22.2 Characterisation of Godan
                                     22.3 Summary
                                     22.4 Key-Words
                                     22.5 Review Questions
                                     22.6 Further Readings


                                   Objectives

                                   After reading this Unit students will be able to:
                                   •    Introduce the Plot of the novel Godan.
                                   •    Discuss Characterization of Godan.
                                   Introduction

                                   The Indian novelist and short-story writer Premchand  was the first major novelist in Hindi and
                                   Urdu. His writings describe in realistic detail the political and social struggles in India of the early
                                   20th century.
                                   Premchand, whose real name was Dhanpatrai  Srivastava, was born in the small village of Lamhi
                                   a few miles from Benares. His immediate forebears were village accountants in Lamhi. His intimate
                                   acquaintance with village life began here and continued when, as a schoolteacher and subdeputy
                                   inspector of schools, he traveled extensively for 21 years through Uttar Pradesh State.
                                   Premchand's   early writing was all done in Urdu, but from 1915 he found that writing Hindi was
                                   more profitable. Hindi, using the Sanskrit-based script and borrowing heavily from Sanskrit
                                   vocabulary, was strongly promoted by the Hindu reform group called the Arya Samaj, and within
                                   a few years Hindi publications numerically outstripped those written in Urdu.
                                   Premchand's early work in Urdu reveals the strong influence of Persian literature, particularly in
                                   the short stories. These were usually romantic love stories in which, the course of love not being
                                   smooth, various unusual devices are used to bring lovers together again. In these romantic stories
                                   and novels, however, also appear evidences of patriotic fervor and descriptions of Indian and
                                   foreign heroes who died bravely for their countries. Premchand's first collection of short stories,
                                   Soz-e-Vatan, brought him to the attention of the government. The British collector of Hamirpur
                                   District called them seditious and ordered that all copies be burned and that the author submit
                                   future writing for inspection. Fortunately, a few copies survived, and Premchand, in order to
                                   evade censorship, changed his name from Dhanpatrai to Premchand..
                                   In 1920 Premchand resigned from a government high school and became a staunch supporter of
                                   Mohandas Gandhi, whose influence strongly marked Premchand's work from 1920 to 1932. With
                                   realistic settings and events, Premchand contrived idealistic endings for his stories. His characters
                                   change from pro-British to pro-Indian or from villainous landlord to Gandhi-like social servant in
                                   midstream; the frequent conversions tend to make the stories repetitious and the characters
                                   interesting only up to the point of conversion.



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