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Unit 27: Girish Karnad: Nagmandla—Themes


          He renders himself loving and soothing at night. Paradoxically, he sets a watch-dog against his  Notes
          own self at night. This symbolically represents the guard he sets against his own instinct, that
          proves to be futile. Therefore the tussle with himself, he gets defeated without accepting defeat,
          and…"the scars remain". The husband who inflicts injury at day turns out to be the pharmakon at
          night. The spouse, who is the master at day, becomes submissive to his wife at night against his
          own will. B. T. Seetha states that instinct as a creative force reigns supreme in the plays of Karnad.
          "In spite of the reasoning it is the instinct that seems to win."
          No, let's say that the husband decides on the day visits. And the wife on the night visits. I won't
          come at night if you don't want me to.
          However, in the sub-conscious mind—the knowledge remains; the knowledge of the duality, the
          dissociative disorder.
          Naga (seriously): I am afraid that is how it is going to be. Like that during the day. Like this at
          night. Don't ask me why.
          He does not want to face questions as to the existence of his duality as it is something that he
          would prefer to deny than accept. A mirror to his split is too much for him to digest. The shielding
          of himself from the mirror connotes this fact. For Rani, this is a decisive point-the mirror stands for
          crucial point of self-realization that Appanna's exclusive interest in her is purely sexual. This is
          why she retreats and refrains from making love to him when she sees his reflection in the mirror.
          She comprehends that there is no element of love in his attraction for her. As for Naga, even while
          being Naga, we can find behavioural patterns of Appanna manifesting itself; like while asking
          Rani to adhere to unquestioning obedience
          Naga:[..] When I come and go at night, don't go out of the room, don't look out of the window-
          whatever. And don't ask me why.
          Rani likens herself to the whale but does not know why. She thinks herself to be a creature
          without any rational power only with basic instincts. She is not even attributed with the power to
          think and is caged like an animal. In short she does not possess any persona, any identity. Her
          singularity is defined in terms of her husband's whims and fancies. There are various references
          to animals to exemplify the pre-dominance of the instincts or impulses.
          The death of the dog implies the death of his will-power and therefore infuriates Appanna. The
          dog that was initially brought for human-intruders proves to be futile. On the death of the dog, he
          buys a mongoose as a guard. Is a 'mongoose', a guard for human intruders? Certainly not! Therefore,
          it is for the snake or Appanna's sexual self that he sets a watchdog at the beginning itself. The
          mongoose is evidence enough. It says that the mongoose had given a tougher fight and because
          the mongoose had given a tougher fight, there was no sign of him for the next several days and
          when he does arrive, [..] his body was covered with wounds that had only partly healed.
          Consciously, Naga is not aware of Appanna and Appanna refuses to acknowledge Naga. Perhaps
          self-awareness does not creep in at the climax when it most obvious to us.
          Climax (She turns away. Naga takes a step to go. They both freeze. The lights change sharply from
          nigh to mid-day. In a flash, Naga becomes Appanna. Pushes her to the floor and kicks her.
          Here the patriarchal hierarchy is explicit in expressionistic terms. For Appanna, the fact that his
          wife has committed adultery is more acceptable to his conscious mind than the fact that he himself
          is Naga. For outsiders, the snake ordeal is a test to prove the chastity of Rani. However, in reality,
          the test is for Appanna himself to ascertain whether he himself is Naga. When the test ultimately
          does prove positive, the truth dawns…Appanna = Naga. Therefore he had submitted to Rani.
          Therefore, she has triumphed over him and therefore is elevated to the status of a goddess. Hence,
          a more domesticated, humble Naga.



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