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P. 107

Elective English–II




                 Notes          True to his word, Javed Khan releases the women from his bondage, and they are free to go
                                and join the British, no longer needing to be in hiding from the militants. But not before he
                                gets Ruth to come before him, so that he could gaze on her face once, something he has not
                                done till now, in spite of his passion for her.
                                A very perceptive, wonderfully written book,  complete with a detailed look into the mechanisms
                                of the zenana or women’s quarters in a segregated household. A tale of survival  of the refugee
                                women who probably did so only because of a mother playing by her wits, guts and an ability
                                to adapt and accept her circumstances.
                                The detailed and very perceptive (considering that Ruskin Bond is a man, and culturally a
                                British one, at that!) potrayal of the camarederie and internal politics inside all Indian Muslim
                                household women from a hundred years ago.
                                The book has an introduction by Ruskin Bond, in which he says that there was probably some
                                truth in accounts of an actual girl called Ruth Labadoor, whose account is to be found in old
                                records of the 1857 uprising. He quotes these specific references in the notes at the end of the
                                book, as also gives us a perspective on the period in which the book is set.

                                In his own words, in the introduction to this 2002 edition, he says,  “In retelling the tale for
                                today’s reader I attempted to bring out the common humanity of most of the people involved— for in
                                times of conflict and inter-religious or racial hatred, there are always a few (just a few) who are
                                prepared to come to the aid of those unable to defend themselves.”

                                Something that is true of all such situations. As I discovered in my pursuit of books on the
                                Holocaust, human beings are really good, and they often rise above themselves at such times.
                                He goes on to say, “I published this account as a novella about thirty years ago. I feel it still has some
                                relevance today, when communal strife and religious intolerance threaten the lives and livelihood of
                                innocent, law-abiding people. It was Pascal who wrote,  ‘Men never do evil so completely and
                                cheerfully as when they do it from religious conviction.’ Fortunately for civilization, there are
                                exceptions.”
                                Very true even today, and will always be so until there are dystopian conditions anywhere on
                                earth.

                                An analysis of  A Flight of Pigeons  will be incomplete without a mention of its 1978 movie
                                adaptation, Junoon, which translated means ‘a kind of madness,’ whether it was the conditions
                                during the uprising, or the madness of Javed Khan’s passion for Ruth. This movie directed by
                                Shyam Benegal, with Jennifer Kendal as Mariam, Nafisa Ali as Ruth, Shabana Azmi as Khan-
                                Begum, and Jennifer’s real-life husband Shashi Kapoor as Javed Khan, is that rare instance
                                when, a Hindi movie matches the expectations raised by the book, if not betters it. A must
                                watch for someone who enjoyed the book.

                                Self Assessment


                                Fill in the blanks:
                                1.  The story starts with the capture of ............ a small town village in U. P.
                                2.  In ............ Bond went to live in Mussoorie, where he still resides.
                                3.  Bond has written two autobiographies. The first,  Scenes from a Writer’s Life,  covers the
                                     first twenty-one years of his life and the second book, ............ narrates when Bond returned
                                     to India after a two-year stay in England.

                                4.  Bond fell in love with a ............ .




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