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Unit 10: The Right to Arms by Edward Abbey




          a master’s degree in philosophy in 1956. During his time in college, Abbey supported himself  Notes
          by working at a variety of odd jobs, including being a newspaper reporter and bartending in
          Taos, New Mexico. During this time he had few male friends but had intimate relationships
          with a number of women. Shortly before getting his bachelors degree, Abbey married his first
          wife, Jean Schmechal (another UNM student). While an undergraduate, Abbey was the editor
          of a student newspaper in which he published an article titled “Some Implications of Anarchy”.
          A cover quotation of the article, “ironically attributed to Louisa May Alcott” stated “Man will
          never be free until the last king is strangled with the entrails of the last priest.” University
          officials seized all of the copies of the issue, and removed Abbey from the editorship of the
          paper. Abbey had an FBI file opened on him in 1947, after he posted a letter while in college
          urging people to rid themselves of their draft cards.
          After graduating, Schmechal and Abbey travelled together to Edinburgh, Scotland, where
          Abbey spent a year at Edinburgh University as a Fulbright scholar. During this time, Abbey
          and Schmechal separated and ended their marriage. In 1951 Abbey began having an affair
          with Rita Deanin, who in 1952 would become his second wife after he and Schmechal divorced.
          Deanin and Abbey had two children, Joshua N. Abbey and Aaron Paul Abbey.
          Abbey’s master’s thesis explored anarchism and the morality of violence, asking the two
          questions: “To what extent is the current association between anarchism and violence warranted?”
          and “In so far as the association is a valid one, what arguments have the anarchists presented,
          explicitly or implicitly, to justify the use of violence?”. After receiving his masters degree,
          Abbey spent 1957 at Stanford University on a Wallace Stegner Creative Writing Fellowship.
          Abbey’s voluminous writings, mostly about or set in the Western deserts, ranged from intensely
          detailed descriptions of the natural world to angry or satirical commentaries on effects of
          modern civilization on American wildlands. One of Abbey’s most widely quoted aphorisms,
          first appearing in the essay collection  Desert Solitaire  , held that “Growth for the sake of
          growth is the ideology of the cancer cell.” Abbey held anarchist convictions, and he viewed
          government and industry as collaborators in the destruction of the natural environment. Desert
          Solitaire  and Abbey’s comic novel  The Monkey Wrench Gang  achieved mass success, winning
          Abbey a strong following among members of the counterculture of the 1970s and beyond. The
          overarching emphasis of Abbey’s writing, however, was personal and philosophical; like the
          19th-century New England essayist Henry David Thoreau, to whom he has sometimes been
          compared, Abbey viewed the natural world in almost mystical terms.

          Family Suffered Hard Times

          The oldest of five children, Abbey sometimes suggested that he had been born in a farmhouse
          in a tiny community with the idyllic name of Home, Pennsylvania. In fact his birth occurred
          on January 29, 1927, in a hospital in Indiana, Pennsylvania, a considerably larger town nearby.
          His tendency toward unconventional attitudes was partly shaped by his father, Paul Revere
          Abbey, a committed socialist who subscribed to Soviet Life magazine for many years. A rootless,
          searching quality in Edward Abbey’s life may also have had its beginnings in his childhood:
          the family was hard hit by the economic depression of the early 1930s, moving from place to
          place as Paul Abbey searched for work as a real estate agent and camping out during several
          stretches when money was at its tightest.
          Abbey’s family made the best of their situation; his mother, Mildred Postlewaite Abbey, instilled
          in him an appreciation of nature. In 1941 the family moved to a farm, located near Home, that
          Abbey dubbed the Old Lonesome Briar Patch. His creative energy began to show itself early
          on when he began to write and draw little comic books for which he would demand series
          subscriptions from siblings and friends. In high school he did well in English classes and was
          thought of as highly intelligent but as something of an intimidating loner.


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