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Elective English—IV




                    Notes          During the late 1900s, Premchand started taking an interest in political affairs while at Kanpur,
                                   and this is reflected in his early works, which have patriotic implications. His political thoughts
                                   were originally influenced by the moderate Indian National Congress leader Gopal Krishna
                                   Gokhale, and then later, he relocated towards the more extremist Bal Gangadhar Tilak. According
                                   to him, the Montagu–Chelmsford Reforms and the Minto-Morley Reforms were inadequate,
                                   and he supported greater political freedom. Mnay of his early works, such as A Little Trick and A
                                   Moral Victory, satirised the Indians who worked together with the British Government. He did
                                   not specifically mention the British in some of his stories, due to strong government censorship,
                                   but disguised his opposition in settings from the medieval era and the foreign history. He also
                                   got influenced by the teachings of Swami Vivekananda.
                                   In the 1920s, he was influenced by Mahatma Gandhi’s non-co-operation movement and the
                                   associated struggle for social reform. During this period, his works dealt with the social issues
                                   such as zamindari exploitation (Premashram, 1922), dowry system (Nirmala, 1925), poverty,
                                   educational reform and political oppression (Karmabhumi, 1931). Premchand concentrated on
                                   the economic liberalisation of the peasantry and the working class, and was opposed to the
                                   rapid industrialisation, which Premchand felt would hurt the oppression of the workers and the
                                   interests of the peasants. This can be seen in works like Rangabhumi (1924).

                                   In his last days, he laid emphasis on village life as a stage for complex drama, as seen in the
                                   short-story collection Kafan (1936) and in novel Godan (1936). Premchand believed that social
                                   realism was the way for Hindi literature, as opposed to the “feminine quality”, emotion and
                                   tenderness of the contemporary Bengali literature.

                                   12.2 Major Works of Munshi Premchand


                                   When it comes to writing Urdu short stories and novels, Premchand definitely has a distinct
                                   place of his own. His style of writing novels began as fantasy tales of kings and queens. However
                                   as Premchand became increasingly conscious of what was happening around him, he started to
                                   write on social problems and his novels had the element of evoking the feeling of social
                                   responsibility and consciousness. He wrote about the realities of life and the numerous problems
                                   faced by the common man in a turbulent society.
                                   Premchand’s mainly focussed on rural India and exploitation faced by a common villager at the
                                   hands of landlords, priests, loan sharks, etc. He also stressed upon the unity of Muslims and
                                   Hindus. A few of his well-known works are Pratigya, Gaban, Godaan, Karmabhoomi, etc. His
                                   famous short stories include popular names such as Udhar Ki Ghadi, Atmaram, Bade Ghar Ki
                                   Beti, etc. A few of his works were also made into films by renowned filmmaker, Satyajit Ray.

                                   Besides being good at writing, Premchand was also famous for his proficiency in Urdu language.
                                   His strong command over Urdu language earned him a reputation of a brilliant journalist. As a
                                   journalist his writing was influenced by the independence movement going on in India at the
                                   time. In his writing he used to express his desire to actively participate in the freedom movement.
                                   He compiled a book of short stories called Soz-e-Watan, influenced with the on-going patriotism
                                   of that time. This work by Premchand was considered to be of a very bold nature. It was thought
                                   to be rebellious. This book was also responsible for provoking several Indians to take part in the
                                   freedom struggle against the British rule. This resulted in a cruel reaction from the side of British
                                   government. The government took possession of Soz-e-Watan and burnt all of its copies.
                                   Premchand brought realism into Hindi literature, which was thought of as a revolutionary
                                   development in Hindi literature at that time as a majority of the writers before him mainly
                                   wrote on fantastical stories or mythological and religious tales. He was a visionary and social
                                   reformer. Premchand used reality and realistic situations in most of his stories. All of his characters
                                   were real people with genuine problems. He also wrote about the social evils that existed in




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