Page 210 - DENG403_BRITISH_DRAMA
P. 210

British Drama



                 Notes          Volpone’s plan to blatantly mock those he has duped. He leaves, and Mosca makes some cryptic
                                comments to the effect that Volpone won’t be regaining his own identity before he comes to terms
                                with Mosca. He gives Nano, Castrone and Androgyno some money before telling them to find new
                                work. Mosca again cryptically comments that he will either “gain” by Volpone, or “bury him.”

                                Scene VI

                                The scene has now moved to a street, where Corvino and Corbaccio are disguised. Volpone enters
                                in disguise. He begins asking the two what they have inherited from the dead magnifico, Volpone;
                                they react to his questions with predictable annoyance. Volpone annoys them further by reminding
                                them of what they did in their failed attempts to gain Volpone’s inheritance; how Corbaccio signed
                                his own son out of his will, and how Corvino prostituted his wife. They leave, and Volpone goes on
                                to his next victim.

                                Scene VII

                                Voltore enters, walking down the street, completely disbelieving that he has lost the inheritance to
                                Mosca, a parasite. Volpone comes up to him, and begins asking about one of his own properties, a
                                small “bawdy-house.” He implies that since Voltore is the old magnifico’s heir, he is the one to talk
                                to about purchasing this property and perhaps renovating it; it is, after all, nothing at all to someone
                                of Voltore’s newfound wealth and stature. Volpone’s irony drives Voltore to frustration, and he
                                leaves. Volpone returns to Corbaccio and Corvino.


                                Scene VIII
                                Corbaccio and Corvino enter, and watch Mosca pass by in his fine robes. They are infuriated, and
                                even more so when Volpone arrives to continue taunting them. He now inquires whether the rumours
                                about the parasite are true; knowing that they are, he proceeds to admonish Corbaccio and Corvino
                                for having so handily been defeated by Mosca, and having lost their dignity in the process. Corvino
                                then challenges Volpone to a fight, but Volpone wisely backs off.


                                Scene IX
                                Voltore makes a cryptic threat to Mosca: though he is in summer now, his “winter shall come on.”
                                Mosca tells Voltore not to speak foolishly. Volpone then arrives, and hoping to taunt Voltore further,
                                asks him if he wants Volpone to beat Mosca, to avenge the terrible disgrace Voltore now suffers for
                                being gulled by a parasite. Further adding insult to injury, he demands to know whether or not
                                Mosca’s inheritance is in fact a joke. After all, Volpone implies, a lawyer couldn’t have been
                                outsmarted by a parasite. Voltore leaves, tormented and humiliated.

                                Analysis to Scene V-Scene IX
                                The issue of social class had been treated indirectly in the play through the character of Mosca,
                                forced to be Volpone’s parasite due to his poverty; but Jonson deals with it explicitly here. The
                                Elizabethans had a fairly rigid conception of social class, certainly by today’s standards. Volpone
                                remarks it is a pity that Mosca was not a born a clarissimo, because he plays the part so well; Mosca
                                replies aside that he may very well keep his “made one”, turning Volpone’s comment into a piece of
                                dramatic irony. Mosca puns on the word “made”, hoping to be a self-”made” man, and achieving it
                                through “manufacture” and “fabrication”, two other senses of the word “made”. This implies that
                                Mosca’s social status is now fake, artificial. So Volpone’s lies have resulted in the destabilization of
                                the social order. This destablization is reinforced by the anger Voltore express about being




          204                              LOVELY PROFESSIONAL UNIVERSITY
   205   206   207   208   209   210   211   212   213   214   215