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British Drama




                   Notes         Political Activism
                                 Influenced by his reading, he became a dedicated Socialist and a charter member of the Fabian
                                 Society, a middle class organization established in 1884 to promote the gradual spread of socialism
                                 by peaceful means. In the course of his political activities he met Charlotte Payne-Townshend, an
                                 Irish heiress and fellow Fabian; they married in 1898. The marriage was never consummated, at
                                 Charlotte’s insistence, though he had had a number of affairs with married women; Shaw declined
                                 to stand as an MP, but in 1897 he was elected as a local councilor to the London County Council as
                                 a Progressive.



                                             In 1906 the Shaws moved into a house, now called Shaw’s Corner, in Ayot St.
                                             Lawrence, a small village in Hertfordshire, England; it was to be their home for
                                             the remainder of their lives, although they also maintained a residence at 29 Fitzroy
                                             Square in London.

                                 Shaw’s plays were first performed in the 1890s. By the end of the decade he was an established
                                 playwright. He wrote sixty-three plays and his output as novelist, critic, pamphleteer, essayist and
                                 private correspondent was prodigious. He is known to have written more than 250,000 letters. Along
                                 with Fabian Society members Sidney and Beatrice Webb and Graham Wallas, Shaw founded the
                                 London School of Economics and Political Science in 1895 with funding provided by private
                                 philanthropy, including a bequest of £20,000 from Henry Hunt Hutchinson to the Fabian Society.
                                 One of the libraries at the LSE is named in Shaw’s honor; it contains collections of his papers and
                                 photographs.




                                          Why did G.B. Shaw beeome a dedicated socialist and a charter member of the Fabian
                                    society.

                                 Last Years and Death
                                 Shaw died there, aged 94, from chronic problems exacerbated by injuries he incurred by falling
                                 from a ladder. During his later years, Shaw enjoyed attending to the grounds at Shaw’s Corner. He
                                 died at the age of 94, of renal failure precipitated by injuries incurred by falling while pruning a
                                 tree. His ashes, mixed with those of his wife, Charlotte Payne-Townshend, were scattered along
                                 footpaths and around the statue of Saint Joan in their garden.

                                 22.1.2 Work Experience and Literary Works

                                 After working in an estate agent’s office for a while he moved to London as a young man (1876),
                                 where he established himself as a leading music and theatre critic in the eighties and nineties and
                                 became a prominent member of the Fabian Society, for which he composed many pamphlets. He
                                 began his literary career as a novelist; as a fervent advocate of the new theatre of Ibsen (The
                                 Quintessence of Ibsenism, 1891) he decided to write plays in order to illustrate his criticism of the
                                 English stage. His earliest dramas were called appropriately Plays Pleasant and Unpleasant (1898).
                                 Among these, Widower’s Houses and Mrs. Warren’s Profession savagely attack social hypocrisy, while
                                 in plays such as Arms and the Man and The Man of Destiny the criticism is less fierce. Shaw’s radical
                                 rationalism, his utter disregard of conventions, his keen dialectic interest and verbal wit often turn
                                 the stage into a forum of ideas, and nowhere more openly than in the famous discourses on the Life
                                 Force, Don Juan in Hell, the third act of the dramatization of woman’s love chase of man, Man and
                                 Superman (1903).




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