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Unit 29: Virginia Woolf — Mrs. Dalloway: Detailed Study of Text




          As Elizabeth looked for her gloves, Miss. Kilman desperately hoped the girl would stay with  Notes
          her longer. But, Elizabeth wanted to go. Miss. Kilman detained her by saying that she had not
          finished eating. She asked Elizabeth if she would go to her mother’s party. Elizabeth responded
          that she would probably have to, though she did not like parties. Miss Kilman replied that she
          never went to parties because she was never invited. She continued talking, feeling sorry for
          herself and driving a small wedge between herself and Elizabeth. Elizabeth then paid her bill
          and left.


          Part II Section Three Analysis

          The theme of the sea as symbolic of life is invoked as Richard returns from the luncheon with
          flowers for Clarissa. The suspense is properly built for the moment where Richard will tell
          Clarissa he loves her. Clarissa has been visited by Peter that morning, and her thoughts
          continually stray to him. Richard has been provoked to this moment of passion by the very
          mention of Peter and finally breaks from Hugh so that he can return to Clarissa, the happiness
          of his life. As he enters their home, the bell signifies the break in time and progression. Woolf
          writes, “And the sound of the bell flooded the room with its melancholy wave; which receded,
          and gathered itself together to fall once more, when she heard distractingly, something fumbling,
          something scratching at the door.” The sure-handed prose certainly does not introduce the
          seeming moment of passion the reader expects. Instead, Woolf’s verbiage here reads more like
          Edgar Allan Poe, foreshadowing a dreaded event through repetition and imagery. The melancholy
          waves gather their force only to stumble and fumble about. One expects some kind of monster
          to enter behind this sea rather than a loving husband with flowers. Woolf foreshadows the
          failure of Richard to say “love you” and to properly communicate with his wife by describing
          the failed motion of a wave, having to retreat after crashing, only to gather, and crash once
          more.
          Similarly, the reader gets the feeling that Richard has hoped to express his love to Clarissa at
          other times as well, but has also failed. The failed connection exists between husband and
          wife, between fellow humans. Clarissa’s conversation still returns to Peter. Richard holds her
          hand, but a gulf exists between husband and wife that allows little verbal connection to take
          hold. The theme of insanity coupled with sanity appears in this context as Maureen Howard,
          author of the introduction to the novel, illuminates. She writes, “...Virginia Woolf knew from
          her own illness how close to endurance and civilization lay insanity and mayhem...It is so
          difficult to endow our words with meaning. ...Clarity, like simple sentences - ‘I love you’ - is
          hard to come by.” In a war-torn world, crumbled and disillusioned following World War I,
          Woolf attempted to illustrate the difficulty of simply living. Howard elaborates, “In Mrs.
          Dalloway, she began to assemble the bits and pieces, to find the angles, the original voice that
          would make us feel” and thus, communicate successfully again.
          In this sense, Richard is no more connected to the meetings he attends. In fact, he fails to know
          if he is meeting to discuss the Armenians or Albanians. The importance of his societal duties
          is undermined by his nonchalance, commenting on Woolf’s view of the English upper classes
          and the state of all-important English duty. The reader is acquainted with Richard’s many
          good qualities, yet his loyalty to the status quo and the establishment is mirrored in his
          leaving his wife for a meeting that he obviously does not care about and in the awe he feels
          toward Lady Bruton’s family history.

          Ironically, Clarissa’s parties are developed by Woolf, in contrast to Richard’s work, as entities
          of value and significance. Both Peter and Richard, whose opinions she relies most upon, judge
          Clarissa’s parties harshly. However, in this section of the novel, Clarissa comes to realize why
          her parties are so important to her and the reader learns that the parties signify Clarissa’s gift




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