Page 364 - DENG404_FICTION
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Fiction



                 Notes          The period that Rezia and Septimus spend together before he fall asleep displays a healthiness
                                and happiness rarely felt in the novel. The hat—that the husband and wife create together
                                stands as a metaphor for life and sanity. The hat allows the two to communicate, playfully and
                                warmly. They discuss people they know and cooperate in the hat’s design and construction.
                                The pattern that Septimus pieces together for the hat symbolizes the novel itself. The novel,
                                as a truly modern novel of the post-World War I era, is also constructed of fragments pieced
                                together. How does one learn about Clarissa’s character, for instance? We learn from Clarissa
                                herself, but also from comments and thoughts made by others, by memories discovered, and
                                by symbolic reference. The postmodern novel is a pastiche of reflections, alternating narration,
                                poetic allusion, direct prose, metaphor, dialogue, and character development. Like the hat,
                                several layers of emotion, sentiment, logic, character, and motive create the design. The moment
                                of creation is thus a culmination of life and significance in the novel.
                                Dr. Holmes, seen as the symbol of the evil of human nature by Septimus, drives the life out
                                of man. He and Bradshaw represent the figures of conversion and proportion detailed earlier
                                by Woolf. In their attempts to smooth over Septimus’ very real problems and ultimately, to
                                separate him from the life connection he still holds, the physicians force Septimus to his death.
                                Insanity, in Woolf’s eyes, was very near to death. Johnson explains, “In his compulsion to put
                                people away, Woolf casts Sir William as an agent of death.” As Septimus awakes from his nap,
                                his thoughts flow directly to Bradshaw’s words of separation. Rezia tries to alleviate Septimus’
                                fears, but the arrival of a forceful Dr. Holmes makes the fears very real to Septimus. He feels
                                that he must escape the grasp of Holmes and Bradshaw. Yet, Septimus does not want to die.
                                Before jumping, he states, “But he would wait till the very last moment. He did not want to
                                die. Life was good. The sun is hot.” As he jumps, he screams that he will “give it to Holmes.”
                                Septimus feels pushed into a position where he must save himself from the smothering hold
                                of conversion and proportion. Woolf writes, “ Rezia saw the large outline of his body standing
                                dark against the window. So that was Dr. Holmes.” Holmes is a figure, a symbol, of darkness
                                and destruction whereas Septimus, last alive in the hot sun, reflects ruined innocence and
                                goodness. His moment in the sun foreshadows Clarissa’s later reaction to Septimus’ death and
                                the connection that will be solidified between them.

                                29.2.3 Part II, Sections 5–6


                                Part II, Section Five Summary
                                Peter appreciated the ambulance that sped past him as a sign of civility and communal empathy.
                                He was pleased to watch the unselfish cars move over to let the ambulance pass. He was
                                afraid to think too long on the morbid subject, but liked that it was his right to entertain such
                                thoughts when he was alone. His tendency to become emotionally attached to people and
                                events had always been a flaw. He especially enjoyed the company of women. He thought
                                back to a time when he and Clarissa rode on top of a bus, and she came up with a transcendental
                                theory for how she knew people simply by living in a society. Wherever she had been, a piece
                                of her stayed behind. She diminished the finality of death this way. Peter did notice that her
                                theory worked for their relationship. The meetings they had experienced over the years were
                                often painful while happening but later gave Peter food for thought when he least expected
                                it. Memories of Clarissa would pop up anywhere. His memories of her were mostly at Bourton.
                                At his hotel, Peter was handed his mail, including a letter from Clarissa. She must have
                                written it right after he left her house. Her note stated only that she had loved seeing him, but
                                it annoyed him. He wished she would just leave him alone. He would always feel bitterly that
                                Clarissa had refused him, though he knew that their marriage would have failed. He thought
                                of Daisy and his way of charming women. Daisy was only twenty-four and had two young


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