Page 25 - DENG405_BRITISH_POETRY

British Poetry

Notes The elegy began as an ancient Greek metrical form and is traditionally written in response to the
death of a person or group. Though similar in function, the elegy is distinct from the epitaph, ode,
and eulogy: the epitaph is very brief; the ode solely exalts; and the eulogy is most often written in
formal prose.
The elements of a traditional elegy mirror three stages of loss. First, there is a lament, where the
speaker expresses grief and sorrow, then praise and admiration of the idealized dead, and finally
consolation and solace. These three stages can be seen in W. H. Auden’s classic “In Memory of W. B.
Yeats,” written for the Irish master, which includes these stanzas:

With the farming of a verse
Make a vineyard of the curse,
Sing of human unsuccess
In a rapture of distress;

In the deserts of the heart
Let the healing fountain start,
In the prison of his days
Teach the free man how to praise.

Other well-known elegies include “Fugue of Death” by Paul Celan, written for victims of the
Holocaust, and “O Captain! My Captain!” by Walt Whitman, written for President Abraham Lincoln.
Many modern elegies have been written not out of a sense of personal grief, but rather a broad
feeling of loss and metaphysical sadness. A famous example is the mournful series of ten poems in
Duino Elegies, by German poet Rainer Maria Rilke. The first poem begins:

If I cried out
who would hear me up there
among the angelic orders?

And suppose one suddenly
took me to his heart
I would shrivel.
Other works that can be considered elegiac in the broader sense are James Merrill’s monumental
The Changing Light at Sandover, Robert Lowell’s “For the Union Dead,” Seamus Heaney’s The
Haw Lantern, and the work of Czeslaw Milosz, which often laments the modern cruelties he
witnessed in Europe.

Self Assessment

State the following sentences are True or False:
1. Romanticism was more widespread both in its origins and influence.
2. The english poet Geoffrey Chaucer, who lived in the 17th century was part of the origin of
the concept.
3. Conceit is a pair of lines of meter in poetry.
4. Couplet consist of two lines that rhyme and have the same meter.
5. The epic began as an ancient Greek metrical form.

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