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Unit 2: Major Literary Terms-II




            2.7  Epic                                                                                Notes

            An epic is a lengthy narrative poem, ordinarily concerning a serious subject containing details of
            heroic deeds and events significant to a culture or nation. Oral poetry may qualify as an epic, and
            Albert Lord and Milman Parry have argued that classical epics were fundamentally an oral poetic
            form. Nonetheless, epics have been written down at least since the works of Virgil, Dante Alighieri,
            and John Milton. Many probably would not have survived if not written down. The first epics are
            known as primary, or original, epics. One such epic is the Old English story Beowulf. Epics that
            attempt to imitate these like Milton’s Paradise Lost are known as literary, or secondary, epics. Another
            type of epic poetry is epyllion, which is a brief narrative poem with a romantic or mythological
            theme. The term, which means ‘little epic’, came into use in the nineteenth century. It refers primarily
            to the erudite, shorter hexameter poems of the Hellenistic period and the similar works composed at
            Rome from the age of the neoterics; to a lesser degree, the term includes some poems of the English
            Renaissance, particularly those influenced by Ovid. The most famous example of classical epyllion is
            perhaps Catullus 64.



                        In the East, the most famous works of epic poetry are the Ramayana and
                        Mahabharata, with the Iliad and the Odyssey, which form part of the Western
                        canon, fulfilling the same function in the Western world.

            2.7.1 Oral Epics or World Folk Epics


            The first epics were products of preliterate societies and oral poetic traditions. In these traditions,
            poetry is transmitted to the audience and from performer to performer by purely oral means.
            Early twentieth-century study of living oral epic traditions in the Balkans by Milman Parry and
            Albert Lord demonstrated the paratactic model used for composing these poems. What they
            demonstrated was that oral epics tend to be constructed in short episodes, each of equal status,
            interest and importance. This facilitates memorization, as the poet is recalling each episode in turn
            and using the completed episodes to recreate the entire epic as he performs it.




                     Is epic a lengthy narrative poem. Why?

            Parry and Lord also showed that the most likely source for written texts of the epics of Homer was
            dictation from an oral performance.
            Epic is a long narrative poem in elevated style presenting characters of high position in adventures
            forming an organic whole through their relation to a central heroic figure and through their
            development of episodes important to the history of a nation or race.
            An attempt to deliminate nine main characteristics of an epic:
                   1.  It opens in medias res.
                   2.  The setting is vast, covering many nations, the world or the universe.
                   3.  Begins with an invocation to a muse (epic invocation).
                   4.  It starts with a statement of the theme.
                   5.  Includes the use of epithets.
                   6.  Contains long lists (epic catalogue).




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