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Unit 9: Rupa Bajwa: Sari Shop—Concept of Feminism


          special language that women speak when they shop and is good at his job at the Sevak Sari House.  Notes
          He is inspired to make a few changes to his dull existence after a glimpse into the life of the rich.
          But the consequences are quite the opposite!  Ms. Bajwa has a crafted an honest narrative of a town
          in modern India, replete with the heartbreak of humdrum existence.
          Feminist enterprise has been so far a long struggle to universalize female behaviour, their common
          tales of woe and sufferings under realms of patriarchy and male oppression. Be it a question of
          rewriting of male texts or parametering of social structure, the set pattern of feminist view point
          has been struggle against androcentric ethics and female sensitivity in bonding, analysing and
          understanding each other universally. Nowhere have women been set against women, only men
          have been peeled, chopped and even roasted in certain instances.
          In Indian context, the fashion in writing and criticism, pertains to this noveau feminism in vocal,
          visual and literary form. Rupa Bajwa, the young girl from Amritsar and brave I must say, has dare
          set in a different view point with her text, The Sari Shop. The title itself is a potent symbol of
          Indian womanhood and all traditional and modern idiosyncrasies associated with it. This is Rupa
          Bajwa’s debut work, and she bangs in a time when Jhumpa Lahiri, Shani Motoo, Anita Nair and
          other young brigade is all over the scene. But she has a different identity of a small town like
          Amritsar, an image like Sari to unfurl, and a separate story than immigrant culture tale, and a
          separate woman to portray- an Indian woman, a wounded woman, a raped woman, a woman
          who dares against women, woman who assumes the status of an actual heroine/ role model when
          she pulls down glitters from fabrics of rich and suave feminist minds by poking fun at their
          miserableness of being hollow inside. Bajwa has presented in all its nakedness the common psychic
          inheritance of Indians’ regarding women and the psychic makeup of women in general.
          The continuous assessment all over the world has been of women as important as men but no
          evaluation of women’ position in society with other women. The enigma of plural societies like
          India, which face more social, political and cultural cleavages, is complex and uneasy to differentiate.
          The feminisation of media especially T.V. has brought a new cult of upper upper or upper middle
          class bourgeois woman, obliterating our mind of the crude statistics of women facing unto
          untouchability, oppression, below poverty line (bpl status), unemployment graphs, illiteracy or
          ignorance factors, rising suicides, molestation, violence, rape etc etc
          The embellished make believe world has bypassed our awareness of internal and external social
          system in terms of caste, creed, race, colour, ethnicity, religion and now with emerging social
          class. Though class in Indian context is not a new signifier, but Is the Indian writer in English
          especially woman writer aware of interclass struggle, class division, class oppression, class-
          consciousness and class solidarity among women themselves? The uniformity of biological status
          among women can’t ignore rational, social, political and economic differences, where she is a
          different class from the other. So, there are ‘fault lines’ emerging among perceived feminist notions
          and theories, the fancied ‘equality manifesto’ not with men but with women in general seems
          itself ‘unequal’ in theory and reality. The Sari Shop is a work where representations of different
          Indian woman is given due analyses on the basis of numerous hybrid and heterogeneous class
          groups. The rationalisation of status and class adds to discrimination between and women and
          women and is discussed in terms of dominant and subordinate category. Frank Parkin has observed
          in the book ‘Sociology of Gender’:
          “For the great majority of women the allocation of social and economical rewards is determined
          primarily by the position of their families and, in particular, that of the male head. Although
          women today share certain status attributes in common, simply by virtue of their sex, their claims
          over resources are not primarily determined by their own occupation but, more commonly, by
          that of their fathers or husbands. And if the wives and daughters of unskilled labourers have
          something in common with the wives and daughters of wealthy landowners, there can be no
          doubt that the differences in their overall situation are far more striking and significant. Only if


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