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Literary Criticism and Theories



                  Notes          •    Bakhtin's works and ideas gained popularity after his death, and he endured difficult
                                      conditions for much of his professional life, a time in which information was often seen as
                                      dangerous and therefore often hidden. As a result, the details provided now are often of
                                      uncertain accuracy. Also contributing to the imprecision of these details is the limited access
                                      to Russian archival information during Bakhtin's life. It is only after the archives became
                                      public that scholars realized that much of what they thought they knew about the details of
                                      Bakhtin's life was false or skewed largely by Bakhtin himself.
                                 •    He is known today for his interest in a wide variety of subjects, ideas, vocabularies, and
                                      periods, as well as his use of authorial disguises, and for his influence (alongside György
                                      Lukács) on the growth of Western scholarship on the novel as a premiere literary genre. As
                                      a result of the breadth of topics with which he dealt, Bakhtin has influenced such Western
                                      schools of theory as Neo-Marxism, Structuralism, and Semiotics.
                                 •    While Bakhtin is traditionally seen as a literary critic, there can be no denying his impact on
                                      the realm of rhetorical theory. Among his many theories and ideas Bakhtin indicates that
                                      style is a developmental process, occurring both within the user of language and language
                                      itself. His work instills in the reader an awareness of tone and expression that arises from the
                                      careful formation of verbal phrasing.

                                 16.6 Key-Words

                                 1. Genre  : A  kind; a literary type or style. Poetry, drama, novel may be subdivided into
                                             lyric (including elegy, ode, song, sonnet, etc.) epic, tragedy, comedy, short story,
                                             biography, etc.

                                 16.7 Review Questions

                                 1. Discuss early life of Mikhail.
                                 2. Explain works and ideas of Bakhtin.
                                 3. What is the genre of Bakhtin? Explain.
                                 Answers: Self-Assessment

                                 1.  (i)(a)         (ii)(c)        (iii)(b)       (iv)(a)
                                 16.8 Further Readings




                                              1.  Hutcheon, Linda A poetics of postmodernism, London: Routledge, 1988.
                                              2.  Kennedy, X.J., Dana Gioia, Mark Bauerlein, Handbook of Literary Terms:
                                                  Literature, Language, Theory, 1st edition, New Delhi: Pearson, 2007.
                                              3.  Lodge, David (ed.) Twentieth Century Literary Criticism, London: Longman,
                                                  1972.
                                              4.  Rice, Philip and Patricia Waugh (eds.) A Modern Literary Theory: A Reader, 3rd
                                                  edition, London: Arnold, 1999.
                                              5.  Sethuraman, V.S. and Ramaswamy (eds.) The English Critical Tradition, Volume
                                                  II, New Delhi, Macmillan, 1977.
                                              6.  Seturaman, V.S. (ed.) Contemporary Criticism: An Anthology, New Delhi:
                                                  Macmillan, 2008.








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