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Unit 18: Mikhail Bakhtin and his ‘From the Prehistory of Novelistic Discourse (Textual Analysis with Chronotopes...



        maner. It could also be used to explain newer genres, such as Magic Realism, which seems to  Notes
        demonstrate a blending of the novel with the fairy tale. Accordingly, while we might object to
        Bakhtin’s theories by pointing out poets such as Walt Whitman (1819–1921) who are very clearly
        using heteroglossia, Bakhtin would answer that Songs of Myself is simply a novelized poem, or
        even a novel in verse form.

        18.1 Bakhtin’s Concept of Chronotopes
        Mikhail Bakhtin's chronotope  concept offers for the study of the intrinsically hybrid genre of the
        historical novel. By  applying the concept to the analysis of the early 19th century Flemish historical
        novel, I  illustrate how the chronotope of the adventure novel of ordeal, which structures a
        significant number of the historical novels published in Belgium between 1830 and  1850, and
        which can be traced back to the ancient Greek romance, can undergo drastic  revisions under the
        influence of the particular poetics of the Belgian historical novel.  During the first two decades of
        Belgian independence the poetics of the genre was  strongly determined by the nationalist and
        didactic function the historical novel was  called upon to perform. I will illustrate how the first
        Flemish  novelists harked back to traditional chronotopes (and their corresponding plots and
        motives) with which the largely uneducated Flemish public was familiar from a mostly  oral folk
        tradition, and tried to remould these to accord with their own purposes and  with the demands
        and regulations of the genre. In what is generally referred to as Bakhtin's third period (the period
        of his forced exile in  Kazakhstan in the 1930s), Mikhail Bakhtin became interested in the question
        of genre, which  he regarded as 'a key organ of memory and an important vehicle of historicity'.
        More specifically, it was the genre of the novel that awakened this interest.





                 During the late 1930s  and early 1940s, Bakhtin wrote six essays that deal with the theory
                 of the novel: 'Forms of  Time and of the Chronotope in the Novel', 'The Bildungsroman
                 and Its Significance in the  History of Realism', 'From the Prehistory of Novelistic
                 Discourse', 'Epic and Novel',  'Discourse in the Novel' and The Novel of Education and
                 Its Significance in the History of  Realism.


        In their own way, these essays all trace and describe 'the establishment and growth  of a generic
        skeleton of literature'.
        The  chronotope essays 'Forms of Time and of the  Chronotope in the Novel. Notes toward a
        Historical Poetics' (henceforth referred to as FTC)  and 'The Bildungsroman and Its Significance in
        the History of Realism (Toward a Historic  Typology of the Novel)' (henceforth referred to as
        BSHR) constitute the basis for the  theoretical framework that is developed in my dissertation on
        19th century Belgian historical  novels. One of the case-studies from this dissertation is presented
        here, albeit in a  considerably abridged form.
        The main reason for choosing Bakhtin's chronotope theory for the textual analysis of Belgian
        historical novels written in the 1830s and 1840s is the hopeful prospect that Bakhtin's concept
        might help to shed some light on the essential hybridity of the genre. The chronotope essays
        chiefly trace the literary descent of what Bakhtin considers to be the various 'genres of the  novel'
        (the adventure novel of ordeal, the adventure novel of everyday life, the chivalric  romance, the
        (auto-)biographical novel, the idyllic romance, the folkloric romance, the  Bildungsroman, etc.).
        Many of these 'sub genres' can be recognized in the multifarious set of  novels that are lumped
        together in the first half of the 19th century under the common  denominator 'historical novel'.
        This tracing of the literary descent leads Bakhtin to consider  the literary works of the ancient
        Greeks and Romans as the 'authentic predecessors of the  novel […] containing in embryo and
        sometimes in developed form the basic elements  characteristic of the most important later
        prototypes of the European novel'.



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