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Unit 23: Gynocriticism and Feminist Criticism: An Introduction



        Differences among Women                                                                   Notes
        Another concern that has become important in feminist criticism is the differences among women
        themselves. A model that presumes a universal feminine experience requires that women, unlike
        men, be free from cultural and racial determination. Under such a model, the barriers to shared
        experience created by race and class and gender are somehow cleared away when one is a woman.
        Women critics of color, such as Barbara Smith, argue that it is incorrect to assume that there is one
        universal feminine experience or writing. For example, the sexuality of black women tends to be
        represented as natural, primitive, and free from traditional cultural inhibitions. Yet this assumption
        has been invoked both to justify and to deny the sexual abuse of black women and the lack of
        respect given to them. In general, Smith criticizes fellow feminists for excluding or ignoring
        women of color. She also observes that both black and white male scholars working with black
        authors neglect women.
        Furthermore, it is not possible to discuss a universal experience of motherhood. Racism affects
        women of color differently from the way it affects white women, especially in the effort to rear
        children who can be self-sufficient and self-respecting. These troubles are inherent in a culture
        that holds as natural the binary opposition white/black, wherein white is the privileged term.
        This opposition is deeply rooted in the colonial history of Western civilization. Women of color
        cannot be exempt from the insidious consequences of this binary opposition, and white women
        cannot participate in productive dialogue with women of color whenever this traditional opposition
        is ignored.
        Lesbian Criticism
        Another friction within the feminist movement involves lesbian feminist criticism. Just as women
        of color have considered themselves excluded, lesbian feminists consider themselves excluded,
        not only by the dominant white male culture but also by heterosexual females. Authors concerned
        with this problem include Bonnie Zimmerman and Adrienne Rich. In fact, Rich provides a definition
        of lesbianism so broad that it encompasses most of feminine creativity.
        Feminist Psychoanalytic Criticism
        In the 1970's a general movement toward psychoanalysis and toward women's reading men and
        one another occurred within feminism. This movement is exemplified in the writings of such
        feminists as Mary Jacobs, Jane Gallop, and Juliet Richardson. For feminist theorists, the limitations
        of traditional theories accounting for the origins of oppression had been uncovered. Writers in the
        1970's became very interested in, for example, the positioning of women within repressive sexual
        and political discourses. Many feminist writers have become interested in the establishment of an
        identity that involves both separation and connection, so that a binary relationship is not created
        and one is not perceived as a threat. In such a new relationship, women would no longer need, for
        example, to attempt to create an Oedipal triangle through their children. Each of the sexes might
        develop less threatening relations to the other.
        Reading Differences
        In regard to women's reading men and one another, Annette Kolodny investigated methodological
        problems from an empiricist stance. She concludes that women, in fact, do read differently from
        men. Her "A Map for Rereading" (1980) examines how the two contrasting methods of interpretation
        of men and women appear in two stories and how the differences between masculine and feminine
        perspectives are mirrored in the reaction of the public to the two stories (Charlotte Perkins Gilman's
        "The Yellow Wallpaper" and Susan Glaspell's "A Jury of Her Peers"). Judith Fetterley's work also
        presents a model for gender differences in reading. Her book The Resisting Reader (1978) argues
        against the position that the primary works of American fiction are intended, and written, for a
        universal audience and that women have permitted themselves to be masculinized in order to
        read these texts. One of the first steps, Fetterley contends, is for women to become resisting, rather
        than assenting, readers.



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