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Unit 29: Umberto Eco’s ‘Casablanca: Cult Movies and Intertextual Collage’ (History and War-Background)



        and two later Bogart films, To Have and Have Not (1944) and Sirocco (1951). Parodies have included  Notes
        the Marx Brothers’ A Night in Casablanca (1946), Neil Simon’s The Cheap Detective (1978), and Out
        Cold (2001), while it provided the title for the 1995 hit The Usual Suspects. Woody Allen’s Play It
        Again, Sam (1972) appropriated Bogart’s  Casablanca persona as the fantasy mentor for Allen’s
        nebbishy character, featuring actor Jerry Lacy in the role of Bogart.
        Casablanca itself was a plot device in the science-fiction television movie Overdrawn at the Memory
        Bank (1983), based on John Varley’s story, and made a similar, though much less pivotal, appearance
        in Terry Gilliam’s dystopian Brazil (1985). Warner Bros. produced its own parody of the film in the
        homage  Carrotblanca, a 1995 Bugs Bunny cartoon. In  Casablanca, a novella by Argentine writer
        Edgar Brau, the protagonist somehow wanders into Rick’s Café Americain and listens to a strange
        tale related by Sam.

        29.6 Summary

        •    Casablanca has been subjected to many different readings. Semioticians account for the film’s
             popularity by claiming that its inclusion of a whole series of stereotypes paradoxically
             strengthens the film.Umberto Eco explained: Thus Casablanca is not just one film. It is many
             films, an anthology. [...] When all the archetypes burst in shamelessly, we reach Homeric
             depths. Two clichés make us laugh. A hundred clichés move us. For we sense dimly that the
             clichés are talking among themselves, and celebrating a reunion.
        •    Eco also singled out sacrifice as one of the film’s key themes: “the myth of sacrifice runs
             through the whole film.” It was this theme which resonated with a wartime audience that
             was reassured by the idea that painful sacrifice and going off to war could be romantic
             gestures done for the greater good. Koch also considered the film a political allegory. Rick is
             compared to President Franklin D. Roosevelt, who gambled “on the odds of going to war
             until circumstance and his own submerged nobility force him to close his casino (partisan
             politics) and commit himself—first by financing the Side of Right and then by fighting for
             it.” The connection is reinforced by the film’s title, which means “white house”.
        •    Harvey Greenberg presents a Freudian reading in his The Movies on Your Mind, in which the
             transgressions which prevent Rick from returning to the U.S. constitute an Oedipus complex,
             which is resolved only when Rick begins to identify with the father figure of Laszlo and the
             cause which he represents. Sidney Rosenzweig argues that such readings are reductive, and
             that the most important aspect of the film is its ambiguity, above all in the central character of
             Rick; he cites the different names which each character gives Rick (Richard, Ricky, Mr. Rick,
             Herr Blaine and so on) as evidence of the different meanings which he has for each person.
        Self-Assessment
        1. Choose the correct option:
            (i) The best setting rural of eco is ............... .
               (a) Nome della rosa                 (b) Cosablanca
               (c) The Aesthetics of Themas        (d) None of these
           (ii) Eco was born on January 5th, ............... .
               (a) 1930                            (b) 1931
               (c) 1932                            (d) 1941
           (iii) The novel the Island of the day before, is the ............... novel of eco.
               (a) 1st                             (b) 2nd
               (c) 3rd                             (d) None of these
           (iv) The purting of its Golden Age Hollywoodness—refers to ............... .
               (a) American                        (b) Casablanca
               (c) Passage to Marscille            (d) None of these



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